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And Jane Levy, rising horror star of Don’t Breathe and the Evil Dead remake (as well as the lead in criminally underrated ABC sitcom Suburgatory) is here-even if it's just to see her talents wasted on a 'nerdy girl who’s the only one noticing the outcast guy is a total hunk' postcard of a character.īut Levy is the key to the one great scene in the film, in which Till’s blonde loner learns to control his monster-driven car off-road while she rides a horse alongside it. The screenplay is credited to Derek Connolly, Colin Trevorrow’s collaborator who also wrote Safety Not Guaranteed, Jurassic World, and the upcoming Star Wars: Episode IX.

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It's also an epic miscalculation with a torturous production history full of strange inspirations, multiple release date delays, and fired executives, it’s the absolute worst-case scenario for when a studio sets out to make something audiences ostensibly want to see: an original blockbuster film.Īnd the thing is, there's quality here.

That's exactly what makes Monster Trucks such an anomaly it’s a $125 million film that was meant to be a major blockbuster. Sure, they could catch on, but they generally don't.

Movies scheduled for January tend to be low-budget, low-risk releases. Other than American Sniper a couple of years ago-which had already been in limited release for a month-no film released in January has ever topped $42 million in its opening weekend.

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the heart of awards season, is the true elephant graveyard of the movie business.

The end of summer, from late August through September, when the blockbuster season has dried up and kids have gone back to school, can still bring big returns on investment due to a less crowded landscape. When studios are trying to hide a potentially embarrassing film from critics and audiences, they usually look at two windows on the calendar. Those ashen-faced executives aren't at rival studios, though they're at Paramount itself. The Bye Bye Man might be the token scary movie to come on this Friday the 13th, but the film striking fear in the hearts of studio executives is Monster Trucks, Paramount’s family-friendly blockbuster.